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The main focus of the surveyed corpus – films and written press – has been on Romania as a migrant-sending society, though films (both feature and documentaries) have touched at times upon its different status as a destination or transit society primarily for citizens from the Republic of Moldova, as well. With the exception of O, the one feature film that juxtaposed pre- and post-1989 migration patterns, the rest of the analysed texts registered in their discursive fabric major post-communist and post-integration Romanian migratory trends.
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