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All of the selected films represent the migrant as male individual, thus excluding in their representational systems the plots and images of subject-active female perspective in a migration context. Migrational issues and experiences are tackled as an individual experience of a male individual, thus subordinating the in-group migration experience. This characteristic is found to be saliently important when considering the context of FYROM cinematic history, which has been predominantly oriented towards representations of migrational experiences as collective and national destiny subordinating individual perspectives.
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